The Better Posters blog is now twelve years old! And with the Better Posters book coming out next month, I think I can safely say that this coming year will be big and bright for this blog!
Thank you for your attention!
Photo by Pewari on Flickr; used under a Creative Commons license.
Today in, “Please don’t.”
Spotted by Ben Bolker. Hat tip to Dani Rabiotti.
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Because so many people make their posters in PowerPiint, I see a lot of SmartArt on posters.
Echo Rivera picks apart the problems with the tool. Why use this...
When you could have this?
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New to me: the Everything Hertz podcast has an interview with Mike Morrison talking about the billboard poster design.
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A new paper looks to reignite debate on where to start the Y axis on bar graphs. Excerpt:
(W)e investigate the practice of truncating the y-axis of bar graphs to start at a non-zero value. While this has been called one of “the worst of crimes in data visualization” by The Economist, it is surprisingly common in not just news and social media, but also in scientific conferences and publications. This might be because the injunction to “not truncate the axis!” may be seen as more dogmatic than data-driven.
Hat tip to Roger Giner-Sorolla.
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You’re not an artist, so why not work with someone who is? Virginia Gewin at Nature looks at how to create a good scientist / artist collaboration. The takeaways?
Of course, graphic design is not art, but there may be some ideas here to use.
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How the New York Times visualizes the first half a million deaths in the United States from COVID-19. They showed every dead person in their plot. Every one.
Hat tip to Alexandra Witze and Marc Abrahams.
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A few weeks ago, I suggested you look at your design and ask, “What’s it for?”
This is Australian footballer Krstel Petrevski modelling a jumper she designed for the Melbourne Demons featuring indigenous art. The league has an indigenous round to celebrate Australian and Torres Strait Islander indigenous culture.
Here’s a close-up:
Krstel talks about the design in the YouTube video below. Her talk is a great lesson in, “What’s it for?” Everything you see in that design has meaning. The exact number of circles down the sides, the hand prints, everything.
(And by the way, can you imagine a professional sports league in North American having a week where every team in the league played in uniforms designed by Native American artists? I can’t. Alas.)
Last week, I gave a presentation online to the University of New Hampshire. They recorded it, and have generously made the recording not only available to their campus community, but to everyone.
You can find the workshop here. As of now, I don’t know if there is a way to embed the video.
Thanks to the four rugged individuals who agreed to let me review their posters. I gave each poster a nickname:
The video is extra convenient, because you can listen to it at one and a half or even double speed, pause, or rewind it – unlike me!
External links
2021 Research Communications Academy: Better Posters with Dr. Zen Faulkes
I’ll be talking about making conference posters (and other graphics!) at the National Biotechnology Conference in May! Specifically:
Better Posters: How to Design and Present a Conference Poster
9:00 AM - 10:00 AM
Thursday May 20, 2021
This is an online event. I look forward to presenting to all you drug scientists out there!
I am available for other events, too. My email is in the sidebar at the right!
External links
In The Practice: Shipping Creative Work, Seth Godin returns to this question repeatedly:
“What’s it for?”
This is a great question to stop and ask yourself occasionally when designing something. It helps ensure that whatever you’re doing is deliberate (or intentional, as Godin puts it).
Those logos around the title? What are they for?
That abstract on the poster? What are they for?
Those acknowledgements at the end? What are they for?
If you can’t answer that, why is it on the poster?
Scott Berkun has another book that I want to read, How Design Makes the World, but haven’t yet. However, he just shared a blog post about how to look at designed things more critically. And, like Godin, Berkun has questions. Here are a few questions that got my attention and that I think are relevant for posters.
For years, I’ve used covers of Cosmopolitan magazine to illustrate a point.
Cosmo always had a sex story, and it was always featured in the upper left corner of the cover. That’s where people who read in English look first. Sex sells, so of course that’s where you want to put a sexy headline.
But I can’t use Cosmo as my example any more. I went looking for more recent examples and found the newest cover:
Acne?!
A search through the magazine’s Twitter feed for the last year shows this is no aberration. The sexy headlines seem to have been mostly banished from the cover for a while.
Clearly Cosmo is under the control of a new editorial staff or new graphic design staff. Can’t tell which. Or maybe it’s a reflection of more of its readers being online, so the “gotta compete for attention on the supermarket check-out rack” need is less pressing.
If that’s so, that’s worth noting. Graphic design changes with time. Being viewed on the supermarket checkout is different than being seen on a screen.
As conferences moved online in the last year, similar forces are at work today for conference posters. Many design principles are the same, but the design demands of choosing which physical piece of paper on a board in a hallway to view are not the same as navigating menus on screen.
Now I have to come up with a new, more au courant metaphor to describe the importance of that upper left part of the page.
Related posts
The Better Posters book continues to inch closer to reality! Today, Pelagic Publishing showed the first teaser images of the inside of the book:
And even better, they announced that you can pre-order the book for a generous 30% off!
I am a first time author, and everything I have heard from other people who have written books in the last couple of years is that pre-orders help a book tremendously. There has never been a better time to be one of the first to get this long awaited and long needed book.
Thank you for your support!
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