16 March 2017

Critique: Oil spill

Today’s contribution is an award winning poster from Ryan Gilchrist. Click to enlarge!



Ryan writes:
My aim here was to balance on the fence between a poster and an infographic, and try to convey some complex physics in an intuitive manner. My concern is that there isn’t enough information on the poster to keep the reader interested. Additionally, I’ve been trying to find an alternative colour scheme than ‘sideways traffic light’, but haven’t had much success yet!

This poster would definitely stand out at a typical conference. It makes a strong statement visually, with its big blocks of colours, curved lines, and slightly low fi images. It looks different than most posters you see at academic conferences, generally in a good way.

There are a few changes that I might try, although I’m not convinced I would implement them.

I’d try seeing how the central headings (“Subsurface spill dynamics”) would look if placed horizontally instead of at an angle. I appreciate that a little use of the diagonal breaks up the poster and adds some visual interest. But I would like to see it with the order and structure that a more typical placement provides.

All the different coloured sections have a black line diving them, except one. There is a colour shift between the top and bottom in the middle column. It’s even more noticeable because the implied line along the colour boundary continues on the right hand side, and there’s a black line dividing those sections. I might have tried making that middle section all one colour, or continuing the right hand black line (the one above “Research aims”).

I like the icons in the “Areas of uncertainty” section, though not their placement. It looks like they alternate between the left and right sides so that the icons don’t bump into each other. I suggest zig-zagging text and images, because it just makes more work for the reader. Again, the right column makes matters worse by comparison. In the list of research aims, the letters are so big and bold that they almost act like icons. And they are all on the left hand side. If you are going to zig-zag the icons in the central column, zig-zag the letters in the right list! Commit to the choice! Commit, I say!

Behind it all is a picture of an ocean spill on fire. The smoke mostly reads a texture, darkening up the central column, not as an image. I literally did not notice it until about the third time I looked at the poster. This is both good and bad. It’s good that I didn’t notice the photograph, because it means my attention was focused on where it needed to be: the content of the poster. But it’s bad because if I don’t notice it or recognize what it is, what is the point? What value does it add to the poster?

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